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This kind of faux-inspirational drivel has Hollywood privilege written all over it.
The Noble Hustle gives talented novelist Colson Whitehead an opportunity to spelunk in some of the gnarlier corners of the American dream, in this case the Tropicana in Atlantic City.
Charles Morey’s new comedy focuses on the trials and tribulations of aging writers. Most of its humor revolves around the past, while its plot hinges on the present and future.
Sugar Bear and his legendary go-go band are coming to the Lowell Folk Festival.
Like me, Phyllis Rose frets about the zillion fine books out there that nobody bothers with. Why their neglect? She reasons that it’s because no one pedigreed has championed them.
“Music is kind of like a religion in a way, and your heroes become your patron saints.”
The late Otto Piene was a world-class artist. He created large scale and elegant environmental art pieces that seamlessly combined art, participation, and technology.
Some of J.M.W. Turner’s most personal, experimental, and enigmatic works have been selected for this show. They are also among the most fragile and least often shown.
Local playwright Jack Neary always captures the frisson of nostalgia and resentment familiar to Catholic school graduates of a certain era, teasing gently without ever offending.
Two significant feature debuts at the MFA’s French Film Festival — Age of Panic goes where few movies have gone before, while Apaches trains a calm, dispassionate gaze on disaffected youth.
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