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There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
Dedham native and Boston University graduate Ryan H. Walsh wanted to learn more about the local connections to what he calls his “favorite album of all time.”
On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
From a compositional standpoint, too, Chamber Dance is an example of Tower at her engaging best.
The White Card‘s examination of white philanthropy and racism stays well within the comfort zone.
The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.
To mark the hundredth birthday of Charlotte Salomon, who is emerging as one of the 20th century’s great artists, come two fabulous volumes dedicated to her work.
Their combined sound, made by two nested pianos, their lids off, aided and abetted by Jordan Hall’s superb acoustics, was irresistible.
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