Search Results: maristed
Cohen devotes little space to Bernard Berenson’s art historical methodology, now largely superseded by modern approaches. She relates Berenson’s less admirable qualities without judging them.
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“Making Monsters is a wake-up call. We need to seriously address the phenomenon of dehumanization if we are to have any hope of constraining it when things get really difficult.”
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One comes away a trifle numb: in part due to the sheer number of films made; but in part both awed and terrified by Hollywood’s ability to use what were, for the most part, mediocre films to make the ravages of war not only so acceptable to the American public, but glorious.
Read MoreArts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
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Rob Sheffield seemed to have promised a whale of an original tale but delivered only a few goldfish.
Read MoreWhether you’re a Jungian or a Freudian, think Jung was a genius or charlatan, or even if you’re someone who’s never given much thought to psychotherapy, the exhibition on the “The Red Book” at New York City’s Rubin Museum of Art (which runs through February 15) is worth a visit. THE RED BOOK by C.G.…
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
Read MoreEcho’s Bones is a fascinating immersion, somewhat inept in its means, but sincere and gravely serious, in a subject that Samuel Beckett made increasingly his own.
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