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Television Review: “Ted Lasso” — Its Second Season Scores Big

August 4, 2021
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The sophomore season of the Apple TV + hit comedy is even more winning than its first.

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Opera Album Review: An Important Early Opera by the Composer of “Cavalleria Rusticana”

August 3, 2021
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I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.

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Classical Album Reviews: John Adams’ Chamber Symphonies — Built on Trust

August 3, 2021
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BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.

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Concert Review: Newport Jazz Festival 2021 — A Musical Affirmation

August 3, 2021
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Both Newport festivals rose to the challenge of restoring live music in a year that made it difficult and welcome.

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Visual Arts Review: Mehr Licht! — “New Light: Encounters and Connections”

July 31, 2021
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This wonderfully eclectic show is a post-pandemic invitation to forge new connections and open up fresh conversations.

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Dance Review: LA’s Contra-Tiempo — An Ecstatic Dance for Justice

July 31, 2021
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Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.

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Classical Album Review: Sibelius Tone Poems — Focused and Bold Performances

July 31, 2021
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The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.

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Concert Review: Newport Folk Festival 2021 — A Very Nontraditional Year

July 30, 2021
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Folk On both exceeded and tempered expectations.

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Jazz Album Review: Tobias Meinhart’s “The Painter” — A Very Pretty Picture

July 30, 2021
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This is state-of-the-art modern jazz with an up-and-coming lead soloist, well-chosen guests, and a dream rhythm section.

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Poetry Review: Maureen N. McLane’s “More Anon” — Lots of Existential Fun

July 29, 2021
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Her poems are sassy.

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