Posts
“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”
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Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.
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Corporate anti-racism – Bank of America is a major sponsor for the documentary – causes Ken Burns to pull his punches.
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I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.
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AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
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We live on the stage of my theater now.
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For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy
Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.
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