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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Ocean Vuong’s new collection of poetry is a dazzling investigation of love and loss, inspiring both nostalgia and release.
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The world of Harrow is a Mad Max dystopia for intellectuals. It’s Bladerunner without the tech.
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The Boston Early Music Festival returns in person — and in a world-premiere recording of a German Baroque opera.
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Big Thief is a largely somber folk-rock outfit fronted by introspective singer/songwriter Adrianne Lenker that doesn’t care much about showmanship.
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It’s a work that shifts gears often, which is not in itself a bad idea for a book about a famed shape-shifter.
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Charli packages existential angst and heartache in sly, self aware pop performances that manage to deftly fuse self-conscious artificiality with earnest passion.
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Donbass is a powerfully gritty portrayal of thuggish aggression by people who felt empowered, with Russian support, to steal from, torment, and kill their neighbors.
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Recently, some artists have come out of the closet and put their prog hearts on their sleeves with new recordings that celebrate the heyday of progressive rock.
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Music Commentary: Jazz, Ed Sullivan, and Television
These performances on The Ed Sullivan Show occurred almost exclusively between 1957 and 1964 and that’s not happenstance. They coincide with the only slice of time when different styles of jazz ever got a significant airing on television.
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