Posts
Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
Like a magic show where you know you’re being duped and enjoy it all the same, Reiser’s act was something you just settled back and enjoyed without analyzing it too much.
This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
Two films look at the hardships and realities of rural life, past and present, at the New York Film Festival.
Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
While impressive, Life Magazine and the Power of Photography disappoints.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.
There is a full lineup of performances scheduled for the next few months in Groton Hill Music Center’s Meadow Hall as the organization’s donors and subscribers prepare for life in the world-class facility.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in. Frankenstein (1931) Somerville Theatre at 2 p.m. on October 23 This iconic horror film from 1931 screens today with a live…
Fest Review: IFFBoston Shorts — Part One