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This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Suzanne Vega is many things: a singer/songwriter, musician, poet, author, entrepreneur, playwright, and actress. A number of her personas are converging right now.
In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Our critics salute three memorable films — anti-fascist (Cabaret), anti-capitalist (The Ruling Class), and anti-war (Slaughterhouse-Five) — that turned fifty this year. Perfect viewing for the holidays.
This is a grim and uncomfortable book to read because it forces us to contemplate each small poem separately and then take them all together, a hard but necessary exercise.
The allure of Venice, as crafted by Venetian artisans, seduced American artists and collectors, who traveled across the world and brought back their prizes to American homes and eventually to museums.
Víkingur Ólafsson’s bold keyboard presence gave us a composer pressing against the conventions of his time while absorbing everything his ears took in.
Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing
Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.
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