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The proceedings are continually involving, each of the performers supplying sufficient dramatic weight and interacting as a credible ensemble of characters rather than caricatures.
Over four days of listening (and walking), we found that the 13th Big Ears reaffirmed its reputation for daring curation—fostering a community of eager listeners always ready to discover something new.
This year’s Berlin International Film Festival was nothing if not political.
AIDS made us strangers in our own lives. It took our world and made it foreign, putting us in the same socio-cultural no-man’s-land where “Alpha”‘s immigrant family is struggling.
Last Friday night, conductor Andris Nelsons and the musicians came on stage together wearing red carnations as symbols of solidarity. The applause was immediate and fervent.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
In light of our current government, the show provides inspiration from the past, and it serves as an invaluable reminder that democracy has never been static, but ever evolving.
April Varner, a rising star in this new generation of female jazz singers—which happily seems full of them—pays homage to Ella Fitzgerald; John Pizzarelli’s recording is an early entry in the no-doubt long list of tributes celebrating Tony Bennett’s 100th birthday.
The relaxed intensity of the band was apparent from the get-go.
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