Month: March 2014
The books are bleak in that Pierre Michon provides no reassuring, idealistic view of the creative urge. Art leads to no transcendence, no permanent uplifting sentiment. Making poems or making pictures is a rough daily business.
Read Morecall it, jokingly, the Boston Rock Love Fest, but it really is!” exclaims Rumble organizer Anngelle Wood.
Read MoreNot many movies try to wring poignancy out of a distraught man standing in a field, shouting his anguish to the sky, while holding two severed limbs.
Read MoreWhether art can comfortably exist in this thoroughly commercial frame is a question for the ages. Let’s say that whether this show succeeds is firmly in the eye of the beholder.
Read MoreSimon Schama just can’t stop going on about religion and the extra-special Jewish feel for beauty that has, to his mind, kept Judaism vibrant and intact through the ages.
Read MoreIsrael’s Nalaga’at Theater Deaf-Blind Acting Ensemble, whose name translates to “Do Touch,” is on a U.S. tour that included a side visit to the White House.
Read MoreAdeptly directed by Roger Michell, “Le Week-End” soars because of its glorious leads.
Read MoreThe culture of American fiction is never as neatly defined as books like “MFA vs NYC” make it out to be.
Read MoreI do not remember disliking the characters in Anton Chekhov’s “The Seagull” as much as I did in this production.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio