Review
Director Asghar Farhadi’s most stringent judgments generally fall upon members of his own sophisticated, worldly cohort.
Alex Beam generates interest via his portrait of frenemies Edmund Wilson and Vladimir Nabokov as brainy but flawed human beings.
This is more interesting than a sweeping survey, it is a portrait of an African-American musician whose career peaked in the Swing Era.
Despite one’s aspirations to another kind of reality, for Pierre Reverdy one is forced to return to one’s fetters.
Pianist Denis Kozhukhin does right by Brahms and an all-Saint-Saens disc that, at its best, is a winner.
Gustavo Dudamel takes over the reins of the Vienna Philhamronic’s annual New Year’s concert; a disc of chamber music by Andre Previn.
The Boston Camerata’s lucid production placed emphasis on music and movement and a chiaroscuro-inspired use of light and shadow.
BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.
At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.
Profoundly conservative and radically fresh, Mass Appeal justifies its title in the Peterborough Players fine production.
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