Review
Two fine new plays in New York meditate on dealing with mortality.
Marcel Pagnol’s great Marseille Trilogy is a tragicomic love story set on the bustling, sun-drenched docks of a Mediterranean port.
Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.
The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.
Marlowe’s skill in maintaining a high level of complexity put the history play on a sophisticated footing.
These are troubling times which make us realize how vital music — especially Bach — is to our souls, to our spiritual wellbeing.
Any performance of Meredith Monk’s is spare to the point of enigma, and also tremendously evocative.
This was a stirring, thought-provoking, and, ultimately, moving reading of Shostakovich’s Seventh Symphony.
Stage Kiss is Sarah Ruhl’s whimsical contribution to the age-old artistic theme of art vs. life.
Visual Arts Commentary: The ICA — The Limits of Being an Icon
The nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?
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