Review
The interviewees sound warnings about how we have self-sorted, online and in the real world, into echo-chamber communities of like-minded people.
So now you know: Saddam’s fearsome weapon of mass destruction was a novel.
Violinist Sebastian Bohren’s album is uneven; violinist Isabelle Faust and pianist Alexander Melnikov have produced a wonder.
Nick Payne’s fascinating Constellations takes the cosmic paradoxes of time head on.
Of course, neither saxophonist sounds precisely like Coltrane: there would be no point in trying.
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
A romp in and around a centuries-old Italian convent, acting out a 14th-century story using contemporary American idiom and attitude.
The Beguiled is a beautifully-shot, atmospheric thriller with a daring take on sexual autonomy and dynamics.
The CTC’s first production of the summer is an unqualified delight.
The history and process of judicial selection — dispassionately detailed.
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