Review
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
Read MoreOne leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.
Read MoreWithout being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.
Read MoreGeorge C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
Read MoreIn 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
Read MoreThe Legend of Zelda: Majora’s Mask is the video game version of Groundhog’s Day — you’re Bill Murray, and it’s brilliant.
Read MoreA graphic novel about the death of art and the art of death
Read MoreFor the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
Read MoreIf James Madison was so verbose that his draft version of the First Amendment could be cut in half, then he can hardly be called an artist with words.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest