Review
The BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Read MoreLike James Baldwin, Alain Mabanckou is striving to see beyond comforting or righteous notions and grasp a world full of movement, migration, diversity, and unexpected mixtures.
Read MoreDirector Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Read MoreAnyone interested in understanding Europe in the 20th century, or in the fascinating metropolis that is Berlin, or in a riveting depiction of down-and-out youth who refuse to surrender to the system–will want to pick up Blood Brothers.
Read MoreKudos to the Celebrity Series for bringing this interesting and innovative young musician to Boston and kudos to Cameron Carpenter for such a fascinating few hours.
Read MoreNothing takes center stage except the canvases by Helen Frankenthaler, which invite comparisons to every other piece in “Pretty Raw” and demolish the majority of them.
Read MoreOver a 90-minute set Mike & the Mechanics touched a number of bases, all of them comfortable and familiar: Rousing AOR rock, soft rock ballads, retro-soul, and just a slight touch of Genesis prog.
Read MoreSince joining the Dance Complex as executive director nearly two years ago, Peter DiMuro has been committed to widening the niche-bound notion of dance.
Read MoreThis exhilarating Tristan & Yseult shakes us out of our role as passive observers and reminds us of the euphoria and the heartbreak love can bring.
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