Review
Director Ellie Heyman and her talented cast have their hands full with this new work because it is, in some ways, a tale of two musicals.
Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
Writer-director Michael Pearce’s debut feature is self-assured and finely-wrought.
Do these “four late nineteenth-century visionaries” still speak to us?
The music and performances on this delightful trio album are blithe and profound, a combination that should charm many listeners.
Going beyond the reasonable concept, there was the New York Theatre Ballet’s performance.
For my taste, some of the songs on Kurt Elling’s The Questions simply aren’t challenging or interesting enough.
The BLO’s production was one of the troupe’s true staging triumphs of late, transforming the Steriti Ice Rink into a 1950s-style nightclub.
What was the influence of Western modernist imperatives on an art-making culture far removed from Europe and the US?
Andrew Manze and the RLPO have turned in one of the year’s great albums: potent, lyrical, haunting, and timely.
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