Review
There were moments during Van Morrison’s 22-song concert Tuesday when he was whipping the band into a frenzy — shouting out song selections before the final notes of the previous tune had fully rung out.
Indie filmmaker Josephine Decker creates a brilliant showcase for Helena Howard, whose performance is electrifying.
The Beau Jest Moving Theater staging succeeds at conjuring up the genially comic spirit of the late Larry Coen, a bounteously talented actor and director.
This was the first stage production in a while that had me on my feet at the end, and thinking and feeling about it long afterward.
Jerome Robbins makes me think about how nonverbal characters can inhabit their times.
It is this ability to ground their sophistication that makes the Macuco Quintet a band worthy of affection as well as admiration.
The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
Does Shakespeare need a digital makeover to stay relevant and entertaining?
Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
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