Review
The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
Boiling Point is as suspenseful a film as anything else I’ve seen this year.
There are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
Let’s hope The Sex Lives of College Girls is given a second season because, much like Sex Education, it is a reminder of the value of the real at a time Big Tech and others are trying to pull us into living and loving in the virtual.
A stunning indictment of homophobia, racism, and toxic masculinity, particularly among African Americans, Punch Me Up to the Gods holds a mirror up to America, a mirror before which many of us will not want to linger.
This disc highlights various, early-20th-century works inspired by the Kalevala, the Finnish creation epic. It is a fantastic demonstration of creative programming and invigorating orchestral performance.
At 80 years old, Bob Dylan sounds imperturbable and fierce.
Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
Paul Muldoon is anxious to file dispatches from the front lines of Our Lives Now. That is one of the characteristics that separates him from most other poets writing today.
Poetry Review: Writer Alain Mabanckou — Taking Life Both to Heart and in Stride
Take a dive into any of Alain Mabanckou’s works in English — and definitely score a copy of the new translation, As Long As Trees Take Root In the Earth, beautifully crafted and bound. Vive la Poesie!
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