Review
AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.
Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
This is no run-of-the-mill supernatural witch movie.
If you’ve never seen a French film with a PG feel, the well-meaning Gagarine might be the one for you.
I’m happy to report that the local scene has lost none of its eccentricity thanks to a deluge of talented filmmakers and animators with a taste for the offbeat. Stay weird Boston!
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
When you go to the Art of Banksy website it is immediately clear that Banksy himself had nothing to do with this traveling show.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic