Review
Bold and colorful by turns, this disc offers an ideal introduction to Hans Rott, a composer who has slowly surfaced from the dark corners of history.
The music in these recordings only represent only a moment in pianist Ahmad Jamal’s long career, but it’s enough to demonstrate the singularity and importance of his work.
The Menu serves up a ghoulish and madly entertaining two hours of prime cinema.
The triple-threat, multi-genre members of the newly formed vocal trio Sonica are creating inspiring and engaging music across multiple musical boundaries.
With gorgeous, vivid stop-motion animation overseen by co-director Mark Gustafson, this inspired collaborative effort carves its own lane among the many adaptations of the oft-told story.
She Said’s straightforward narrative avoids self-indulgent fanfare and invites viewers to appreciate journalism as a hunt for the truth that, in this case, inspired a cultural earthquake when the #MeToo movement rose up in its wake.
“It’s easy to see why we have such a lousy life and such great literature.”
Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.
The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
The music of Cameron Lew, in the persona of Ginger Root, makes us confront a fundamental truth: the familiar, after the passage of time, becomes the exotic
Arts Commentary: What Historical Fiction Can Teach Us About America