Review
Once the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
This coffee table book scan of women’s history is visually striking and consistently informative.
There are cringe-worthy moments as well as scenes of mesmerizing beauty in Disney’s live-action Pinocchio. But I’ll go against the critical grain and argue, for several small reasons, and for one big one, that it was necessary to make it.
As a satire on the power of male-dominated corporations to manufacture consent and conformity, Don’t Worry Darling is devilishly amusing. Though credibility is not its strong suit.
It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.
The veteran band from Louisville, Kentucky, kicked into the millennium with a wild and woolly mix of Southern rock, alt-country, space-prog, and electro-funk that grew weirder over time.
At this year’s Toronto International Film Festival, there were celebrities, studio premieres and plenty of films with modest budgets that vied for attention.
Poet Helena Minton deserves our attention; her verse is grounded in a close observation of nature and a love of language.
To hear free music so beautifully contained and expressed in such inventive forms isn’t unheard of (Henry Threadgill? Vijay Iyer? Wadada Leo Smith?). But bassist Michael Formanek has his own way.
Book Review: Colette’s “Chéri” and “The End of Chéri” — Tales of Love and Morality
A superb new translation in one volume of the two Chéri novellas, regarded as Colette’s masterwork.
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