Review

Film Review: “White Noise” — Toxic Prophecy

December 18, 2022
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By drawing on the insight and humor in Don DeLillo’s novel, Noah Baumbach manages to find (at least for me) affirmation and comfort in this portrait of the randomness of contemporary existence.

Theater Review: “Life of Pi” — An Enchantingly Theatrical Ocean Voyage

December 17, 2022
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This stunning, brand new production of UK’s Life of Pi is stopping in Cambridge for a month or so before sailing down to Broadway.

Arts Commentary: It’s Not Funny — “Saturday Night Live” and the Mark Twain Prize

December 16, 2022
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Adam Sandler receiving a Mark Twain Prize is one more SNL achievement that defies understanding.

Concert Review: A Handel and Haydn Christmas — A Rousing Baroque Fire

December 16, 2022
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If Handel and Haydn Society’s annual Baroque Christmas program had one takeaway, it was that its new music director, Jonathan Cohen, is a superb fit for the job.

Television Review: “Kindred” — More than a Mystery

December 16, 2022
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In this adaptation for Hulu, Octavia E. Butler’s hybrid sci-fi novel has been reduced to a misguided time travel mystery.

Album Review: Roger C. Miller’s “Eight Dream Interpretations for Solo Electric Guitar Ensemble” — Fancy’s Furies

December 14, 2022
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As fluid and experimental as Eight Dream Interpretations is, the album’s rambunctious sonic palette is nothing if not inviting.

WATCH CLOSELY: “1899” — A Sumptuous Terror

December 14, 2022
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1899‘s excellent design work makes this series an opulent and memorable visual odyssey.

Book Reviews: Art Museums — Anything But Neutral

December 14, 2022
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It’s tempting to frame these books as opposing sides in an argument, Old School Establishment vs. Progressive Left. They are more like parallel universes; their opinions and even their terms rarely converge.

Opera Album Review: Meyerbeer’s Comic Opera about Peter the Great, A Welcome Return

December 13, 2022
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This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.

Concert Review: Pianist Seong-Jin Cho — Fire and Precision

December 12, 2022
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The South Korean pianist possesses technique to burn. His tone is pearly and deep, capable of both haunting distance and grandeur.

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