Review
Once Twice Melody goes about refining rather than changing Beach House’s vision of dream pop.
In Lowell, America played to a packed, enthusiastic, Centrum Silver-popping crowd who sang along with the band’s impressively deep roster of hits.
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
This is an immensely complex, deeply atmospheric story of the working class, of immigrants with global origins, many who are descendants of early settlers.
Jean-Michel Pilc is a talented pianist who expresses his happiness at just being alive via performances that treat the most revered standards in a manner that is wholly personal, even idiosyncratic — yet memorable.
This cooperative music is deliberately international in instrumentation and personnel and theme, proffering its own characteristic, and often quite beautiful, mix of sounds.
Perhaps unintentionally, the show is a moral fable on the nature of true achievement: Milton Avery’s steady progress on his own path stands out in this age of online influences and the rabid pursuit of instant fame and material success.
Jazz Concert and Album Review: Vincent Peirani and Emile Parisien — Bringing Culture to the Colonies
The communication between Vincent Peirani’s accordion and Emile Parisien’s soprano sax was effortless, empathetic, and flawless.
Strict Beauty: Sol LeWitt Prints is a compelling opportunity for immersion in an important aspect of the artist’s work
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