Review
Pianist Jeremy Denk is a sensitive and articulate polymath who can elucidate his ideas about music with wit, humor, and style.
The Northman is not going to make it onto my 2022 Top 10 list, but neither will it be relegated to the status of something I’m not interested in seeing again.
Non-binary people have plenty to be angry about these days, but Burgerz is not an attempt to shock or strike back in anger.
The Gravel Project respects its roots, but its new album demonstrates how a band can honor its influences without being smothered by them.
Ornette Coleman turned to me and said, “You know, you can never really be out of tune. You are always in tune with something.”
The centenary of bassist/composer Charles Mingus’ birthday is days away and I am listening to the beautifully packaged and processed and richly annotated 3 lps of Mingus’s Lost Album, recorded live at Ronnie Scott’s London club in 1972.
“Every record can have its own unique sound, depending on who has owned it, who’s touched it, where it’s been. That’s really important to me.” This movie makes you realize that these things should be important to you, too.
Without letter-perfect performances from the actors I’m not sure Severance would work anywhere near as well as it does.
Ocean Vuong’s new collection of poetry is a dazzling investigation of love and loss, inspiring both nostalgia and release.
Film Feature: Favorite Fiction Features Directed by Women — An International Poll
The result of critics polled for their Ten Favorite Fiction Features Directed by Women — with the choices of Arts Fuse reviewers.
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