Review

Film Review: Wait for It… “Hold Your Fire”

September 30, 2022
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At a time when the nation is taking stock of the failures of our history of urban policing and looking for some new approaches, the lessons of Hold Your Fire are needed more urgently than ever.

Film Review: “God’s Country” — Who is to Blame?

September 30, 2022
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In our politically correct times, the temptation would be to make a simplistic film in which Sandra, the good Black woman, is beset by bad white people.

Book Review: “Shmutz: A Novel” — Hasidim in Heat

September 29, 2022
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A young Hasidic woman addicted to Internet porn? Oy vey, who knew?

Television Review: Season Three of “Ramy” — Spreading the Drama Around

September 28, 2022
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Ramy’s drama takes a backseat to those of his relatives and friends, and that ends up expanding the reach and power of the series.

Jazz Album Review: Keith Jarrett’s “Bordeaux Concert” — A Varied Masterpiece

September 28, 2022
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Given Keith Jarrett’s current disability, this new ECM recording is an unexpected gift to his fans.

Concert Review: Eminent Singer-Songwriter and Guitarist Richard Thompson at the Shalin Liu Performance Center

September 27, 2022
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The caliber of Richard Thompson’s voice is undiminished. His always expressive, frequently soothing timbre was perfectly intact.

Film Review: “Pearl” — A Star is Born

September 26, 2022
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Move over Patrick Bateman, there’s a new axe-wielding psychopath for impressionable young cinephiles to project themselves onto in town.

At the 2022 Toronto International Film Festival — “My Imaginary Country” Looks at Chile, Where Protests Fill the Streets Again  

September 25, 2022
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Reviews of three new documentaries at TIFF: My Imaginary Country, To Kill a Tiger, and Miucha: The Voice of Bossa Nova.

Doc Talk: American Dreams, North and South, in Films by Abigail Disney and Patricio Guzmán

September 25, 2022
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In their recent films two disparate documentarians – Abigail Disney, the scion of the legendary Hollywood mogul, and Patricio Guzmán, exiled Chilean socialist – investigate the past, present, and future of their nations’ essential illusions.

Concert Review: Boston Symphony plays Williams, Bach, Montgomery, and Holst

September 23, 2022
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Jessie Montgomery’s Rounds is a testament to her impressive compositional chops. Let’s have more from her here, and often.

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