Review
Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
If the production sends at least some of the audience members back to the magnificent poetry of The Canterbury Tales, it would have done a mitzvah.
Two campus structures and one downtown office building speak a new visual language.
This year’s Berlin International Film Festival launched a couple of films aimed at a mass audience. The results were mixed.
The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
Two takes on the orchestral music of Prokofiev — one impish and unpretentious, the other revelatory.
Anyone who cares deeply about cinema owes Jonas Mekas an abiding debt for all that he did for independent American filmmaking.
The populations in former Soviet Socialist Republics and current NATO members Latvia, Lithuania, and Estonia know all too well what it’s like to live under Russian subjugation as is seen in a trio of trenchant and timely documentaries.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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