Review
Aside from English pronunciation issues, the singers put over this remarkably polished and attractive opera by one of England’s great seventeenth-century composers with great panache, matching the superb instrumentalists.
While you — as a parent, teacher, grandparent, aunt, or uncle, etc. — decide on your child-rearing approach, let’s help kids feel that they belong, that they are competent, and they have the courage and skills to succeed.
Even more impressive than the sheer amount of raw knowledge Bill Janovitz puts on display is the way he expertly elaborates on Leon Russell’s familiar resume highlights to create a full, three-dimensional portrait of a very complicated artist (and person).
This exhibition provides a very thoughtful lesson in appreciating the poetry of practical objects.
Inside‘s visceral demonstration of the alienating capacity of technology and the reduction of art to rich people’s toys may be a bit pat, but the film finds the space within these cliches to stage a compelling human drama.
The 11-piece group frontloaded its 90-minute set for immediate impact, answering the biggest challenge — replacing the vocal charisma of David Byrne — with a communal approach.
It is stunning to see these flags of beads and sequins on cloth, and the adjectives keep on coming — hypnotic, baroque, beguiling, hallucinatory.
Don’t let the redundancy of much of this album’s repertoire dissuade you. On all the vital metrics, Liebestod delivers
Featuring a transcendent performance by Bill Nighy, Living inspires viewers to look inward, and then outward, gently begging us to muster whatever power we have to seize the day.
Projects such as Birthright: A Black Roots Music Compendium extricate the resilient voice of the people from the cacophony of current ideological intervention.
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