Review
If historian Thomas Crow’s goal is to explain how these rebels of the counterculture reshaped American art, he is at least partly successful.
The shorts categories of the Academy Awards aren’t just filler for your scorecard anymore.
This is a Marlowe movie trying too hard to be a Marlowe movie. But it doesn’t have the heart to succeed.
Ant-Man can no longer call out comic book movies for their bullshit because, as purveyor of prologue for the Marvel movies that will follow, the character is now too irredeemably full of bullshit himself.
As cultural critique, Curtis White’s Transcendent comes across as a modest if chilly yip of Zen resignation.
There’s still room for Brandon Cronenberg to grow as a horror director, but Infinity Pool should make his father proud. It’s a sensory nightmare of bodily dissociation and high class decadence that signals a promising start to 2023.
Circa has come up with a stunning way to combine the athleticism of circus training with the aesthetics of dance theater.
The Birth of Bop contains performances from some important participants in the bop revolution — Dexter Gordon, Stan Getz, Milt Jackson, Allen Eager, Fats Navarro, Max Roach, J.J. Johnson, and others.
The Persian Version and Eileen offer different takes on friction in the family.
Although science is Andrea Barrett’s springboard, she is writing fiction about the people who do scientific research and teach it: memorable people who have hearts and secrets and feelings and hopes and dreams and goals.
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