Rock
When Willie dove into “On the Road Again” to close the set, singing of “making music with my friends,” one could envision the same hopes for Farm Aid to resume its annual trek to an amphitheater somewhere in America and stoke the communal cause.
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Front and center in this memoir are BrownMark’s efforts to reconcile his resentment and gratitude toward the man who both sold him short and afforded him the “opportunity of a lifetime.”
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The intimate emotions captured by Hannah are enhanced by Lomelda’s ability to be both revelatory and inscrutable in the same breath.
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“You’re always gonna be yourself, your unique self, so it’s important to incorporate the things that you really love.”
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Down in the Weeds, Where the World Once Was is a natural next step forward for Bright Eyes, evolving while remaining true to their core identity.
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If we factor in the triple-size oversell crowd, the bad drugs circulating, and the home field advantage, there was plenty there to inspire The Stooges to raise some merry hell.
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In Limbo, Aminé’s become more reflective, yet he never loses sight his boisterous mischievousness.
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Partially completed before the pandemic hit and assembled during quarantine, the EP feels uniquely suited to ease our collective glumness.
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What Makes the Monkey Dance is a comprehensive examination of the life and career of an extraordinary artist that is smart enough to stop short of hagiography.
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The Oxford band’s third album dispenses with personality in favor of bland trap pop.
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Arts Commentary: Rich in Creativity — But Nothing Else