Music
These witnesses to history are no longer playing with the fire of their youth, but they exude the confidence, warmth, and sure instincts of veterans.
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Godspeed’s left-wing view was most clearly reflected at a merch table dominated by books on working-class resistance and anarchism, while the group’s dissonant post-rock embodied tension.
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“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
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Let’s hope composer Tod Machover, Opera of The Future, and the Media Lab have more up their space-age sleeves.
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“I just want to fly my kite like everyone else. I’m not interested in being the greatest. That sounds like an awful ball and chain. I love the freedom that I have.”
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Trumpeter Terell Stafford never seems to be straining; he can be exuberant without sounding brassy.
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Joseph Bologne, whose mother was a slave in Guadeloupe, proves to be as skillful in vocal-dramatic music as we have long known he was in instrumental works.
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The band’s performance was stellar. Its setlist was on point: a bit of the new, a bit more of the early stuff, and a whole lot of “AM.” In America, in 2023, that’s just good fan service.
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The truth is the Beatles wouldn’t have been the Beatles without Abbey Road, and Abbey Road wouldn’t have been Abbey Road without the Beatles.
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We’re not saying get rid of “Madama Butterfly” We’re saying do a better Butterfly.
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