Music
Tomorrow night Deacon Leslie Pittman, an emerging star on the gospel quartet circuit at the age of 81, comes into town with Philadelphia’s Just Us Singers.
With this LP, Daniel Lopatin has crafted an immaculate aural landscape that one can (and will want to) lose oneself in for hours.
Kneebody threw jazz into the stylistic blender and it popped out as something you probably haven’t heard before. The future sounds good.
Arts Fuse critics select the best in music, dance, and film that’s coming up this week.
Mother Nature likes pianos.
Overall, VII finds Blitzen Trapper maintaining its musical muscle even though its lyricist occasionally struggles.
If Thursday’s performance of Mahler’s Second Symphony by the Boston Symphony Orchestra and the Tanglewood Festival Chorus was marked by some untidiness, the broad picture to emerge was one of often thrilling, Apollonian grandeur.
“Return to form” is a little too easy, but if you miss the “old” Travis, then the new album, Where You Stand, is the one you’ve been waiting for.
Gil Rose and the Boston Modern Orchestra Project (BMOP) have been on something of a recording tear of late.
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