Music

Book Review: The Precarious Existence of Symphony Orchestras

February 4, 2012
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This is a book for anyone interested not just in the economic state of the symphony orchestra, but in the overall financial health of the arts in the United States.

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Jazz Commentary Drill Down: Duke Ellington’s “New World A-Coming”

February 3, 2012
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Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a detailed examination of…

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Commentary Drill Down: George Russell’s “Living Time”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Jazz Commentary Drill Down: Dave Brubeck’s “Elementals”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Fuse Commentary Drill Down: Donal Fox’s “Peace Out”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Fuse Commentary Drill Down: Iiro Rantala’s “Concerto in G-sharp / A-flat”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Jazz Commentary Drill Down: Michel Camilo’s “Concerto for Piano and Orchestra”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Commentary Drill Down: Claus Ogerman’s “Symbiosis”

February 1, 2012
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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…

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Classical Music Sampler: February 2012

February 1, 2012
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February feels like the ‘New November’: concerts of real interest during the weekdays and too many great concerts during the weekends.

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Fuse Concert Review: A Lively Anonymous 4

January 31, 2012
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The Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.

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