Music

Concert Review: DakhaBrakha — Music of Ecstatic Energy

December 15, 2017
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The members of DakhaBrakha have created something uniquely their own — “folk-punk.”

Concert Review: Singer Jamie Barton Makes No Ordinary Debut

December 15, 2017
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What is surprising is that, along with the extraordinary power of her voice, Jamie Barton’s luminous smile won me over before she sang a note.

Classical CD Reviews: All-star Schubert and Mozart Arias

December 9, 2017
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A hell-for-leather approach to Schubert has its drawbacks; for all the sheen of Juan Diego Flórez’s singing, he doesn’t always seem at home in the music.

Classical CD Reviews: Thompson & Barber Symphonies and Francois-Xavier Roth’s Mahler

December 8, 2017
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Francois-Xavier Roth’s Mahler is full of energy; the National Orchestral Institute Philharmonic’s account of Randall Thompson’s Symphony no. 2 is gripping.

Classical CD Reviews: David Del Tredici’s “Child Alice” and Scott Wollschleger’s “Soft Aberration”

December 5, 2017
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Child Alice is an important addition to the recorded catalogue of major American symphonic music.

Concert Review: Bermel, Prokofiev, and Strauss at Symphony Hall

December 2, 2017
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The BSO’s performance of the Alpine Symphony had purpose and direction.

Concert Review: Boston Philharmonic Youth Orchestra at Symphony Hall

November 28, 2017
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The BPYO is as responsive, confident, technically skilled, and emotionally expressive an orchestra as they come.

Music Feature: Hot Tuna — No Time for Nostalgia

November 26, 2017
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“The acoustic duo shows are on the edge. It’s stripped pretty naked. It’s as if we were just playing in your living room.”

Jazz Concert Review: The Bad Plus — Say again?

November 20, 2017
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You could sometimes be halfway into a Bad Plus show before hearing anything like a jazz chord from pianist Ethan Iverson.

Music Commentary: “Bernstein at 100,” aka Tanglewood 2018

November 17, 2017
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In honor of what would have been Leonard Bernstein’s hundredth birthday, the Tanglewood Festival is pulling out all the stops.

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