Music

Jazz CD Reviews: “Body and Shadow” and “I Am A Man”

January 4, 2018
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Brian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.

Commentary: #MeToo and Dethroning Rock Deities

January 2, 2018
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We have the obligation to look behind the music and the culture that glorified and perpetuated it.

Feature: Roots & World Music Live Highlights of 2017

December 31, 2017
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Here’s a look at the good stuff among last year’s live music events.

Jazz Remembrance: Roswell Rudd — Avant-garde Trombonist Extraordinaire

December 29, 2017
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The late Roswell Rudd tried every sound a trombone could make, all of his efforts marked with a natural musicality.

Commentary: Best Jazz (and Other) Recordings of 2017

December 25, 2017
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The range of recordings issued this year was remarkable, both in terms of their instrumentation and their artistic inspiration.

Music Commentary: Top Classical Performances and Recordings of 2017

December 23, 2017
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A line-up of concerts, performances, and recordings that, as 2017 draws to its close, I can’t, for one reason or many, shake from my memory.

Film Review: “Chasing Trane” — Telling the Story of a Jazz Legend

December 20, 2017
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This documentary about John Coltrane serves up skillful, sensitive storytelling and an appropriate sense of reverence.

Classical CD Reviews: Matthias Goerne’s “The Wagner Project” and Mahler’s Symphony of a Thousand

December 20, 2017
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Matthias Goerne offers proof that he is the Wagner baritone of the day. And Thierry Fischer’s understanding of Mahler deserves our admiration.

Year-end CD Round-up, Part 2: Jurowski’s Tchaikovsky Symphonies, Strauss in St. Petersburg, Jasper Quartet’s “Unbound,” Walton Symphonies, and Howard Hersh’s Dancing at the Pink House

December 19, 2017
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Highlights include an excellent Tchaikovsky symphony cycle in modern sound and one of the year’s best chamber-music albums.

Year-end CD Round-up, Part 1: Rosanne Philippens’ Prokofiev, Dover Quartet’s “Voices of Defiance,” Longleash’s “Passage,” Michael Gielen Edition Vol. 4, and Barbara Hannigan’s “Crazy Girl Crazy”

December 18, 2017
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Reviews of performances that are energetic, immediate, muscular, and simply breathtaking.

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