Music

Rethinking the Repertoire #12 – Ellen Taaffe Zwilich’s Violin Concerto

May 24, 2017
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Ellen Taaffe Zwilich has an uncanny understanding of what instruments can do and how to showcase them best.

Concert Review: Gershwin’s “Of Thee I Sing” at Robbins Auditorium

May 19, 2017
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In all, Chorus pro Musica’s production was witty and diverting, timely in spots and smart throughout

Concert Review: Cantata Singers — An Evening of Biblical Power

May 17, 2017
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The Cantata Singers prefaced its intriguing, Jewish-themed performance with a marvelously sensory, spiritual experience.

Music Review: Singer/Songwriter Lucinda Williams — Americana Chanteuse

May 15, 2017
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The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.

Theater Review: Rock Critic Lester Bangs — A Welcome Rebel Yell

May 15, 2017
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Lester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.

CD Review: Have Mercy’s “Make the Best of It” – Best Isn’t Good Enough

May 14, 2017
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Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.

Rethinking the Repertoire #11 – Nikolai Rimsky-Korsakov’s “Antar”

May 12, 2017
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Rimsky-Korsakov’s , Antar packs a world of chimeric colors, impellent drama, and memorable tunes into less than thirty minutes.

Music Feature: Shor’ty Billups — The Last Boston Soul Man

May 11, 2017
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A celebration of a man who is one of the only remaining Boston R&B and soul artists who recorded in the 1960s.

Music Appreciation: The Sadies — Still Going Strong on “Northern Passages”

May 11, 2017
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The album Northern Passages has left me without any doubt that The Sadies are worthy of every iota of praise they have received.

Book Review: “Shake It Up” — Great American Writing on Rock and Pop

May 8, 2017
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On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.

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