Music

Concert Review: Martha Argerich and the Orchestra dell’Accademia Nazionale di Santa Cecilia at Symphony Hall

October 24, 2017
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Far more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.

Jazz CD Reviews: Wadada Leo Smith — Paying Superb Homage to Monk, and Other Heroes

October 24, 2017
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That’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.

Jazz Preview: Bassist Gary Peacock Plays What He Doesn’t Know

October 23, 2017
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Veteran bassist Gary Peacock doesn’t differentiate between experimental and straight-ahead jazz.

Classical CD Review: Brahms Piano Trios and “Living in Light”

October 21, 2017
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Nothing sleepy about the playing in the Yo-Yo Ma and Emanuel Ax disc; New Hampshire’s Heather Gilligan is a composer to watch.

Classical CD Review: Orchestra dell’Accademia Nazionale di Santa Cecilia plays Saint-Saëns

October 20, 2017
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This is one of the year’s standout orchestral albums and it’s a special treat to catch the ensemble live on these shores so soon after its release.

Classical CD Reviews: Leif Ove Andsnes’ “Sibelius” and Borusan Quartet’s “Company”

October 19, 2017
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Leif Ove Andsnes’ excellent all-Sibelius album is nothing short of revelatory; Borusan Quartet’s disc is creatively programmed and brilliantly played.

Music Preview/CD Review: Jon Langford’s “Four Lost Souls”

October 18, 2017
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With Jon Langford, the only certainty is that there will be surprises that make it party time.

CD Reviews: Jonas Kaufmann’s “L’Opera” and Michael Spyres’ “Espoir”

October 17, 2017
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Two great tenor discs have recently been released

CD Review: Wormwood Casts a Mean “Mooncurse”

October 17, 2017
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Even though Wormwood’s sound is thick and lumbering, the band is actually pretty nimble.

Opera Review: Boston Lyric Opera’s “Tosca”

October 16, 2017
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For my taste, too much of the stage action during Friday’s performance was stiff and shopworn.

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