Music

Jazz CD Review: “Scandal” — Masters of Their Art

March 27, 2018
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Scandal is a masterful example of musical discourse dedicated to making the most of the powers and pleasures of tradition-infused improvised jazz.

Classical CD Reviews: Lars Vogt plays Beethoven, James Ehnes plays Walton, Denis Kozhukhin plays Ravel & Gershwin, Francesca Dego plays Paganini & Wolf-Ferrari

March 26, 2018
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Superb discs from pianist Lars Vogt, violinist Francesca Dego, pianist Denis Kozhukhin, and violinist James Ehnes on the viola.

Jazz CD Review: The Kathrin Pechlof Trio

March 24, 2018
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Toward the Unknown is a well-wrought, well-rendered recording — one worthy of serious attention.

Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement

March 22, 2018
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The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.

Opera Review: BLO’s “Threepenny Opera” — Neither Fish Nor Fowl

March 22, 2018
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It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.

Classical Concert Review: St. Lawrence String Quartet plays Beethoven, Adams, and Sibelius

March 21, 2018
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It is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.

Concert Review: Cantata Singers Perform “Missa solemnis”

March 20, 2018
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This performance was far more than special and crazily beautiful — it was extraordinary.

Jazz Concert Review: Rudresh Mahanthappa’s Indo-Pak Coalition at the ICA

March 19, 2018
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Indo-Pak Coalition’s energized music and performance somehow manages to square the circle —  it is as engaging as it is songful and intelligent.

Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1

March 17, 2018
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Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.

Concert Review: Bernstein’s Kaddish Symphony returns to Symphony Hall

March 16, 2018
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.

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