Music

In Memoriam — Sanford Sylvan (1953-2019)

February 3, 2019
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Hearing Sanford Sylvan sing made one rich: spiritually, emotionally, musically.

Classical CD Reviews: Florence Price’s Symphonies nos. 1 & 4, George Antheil’s Symphonies nos. 3 & 6, and 20th-century Russian Orchestral Music

February 1, 2019
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Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.

Music Interview: Talking With Colin Blunstone — Post-Zombies

February 1, 2019
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“It’s a very exciting prospect that your peers think your worthy to be inducted into the Rock and Roll Hall of Fame.”

Jazz Album Review: Magos Herrera & Brooklyn Rider’s “Dreamers”—A Soulful Journey through the Americas

January 31, 2019
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Magos Herrera teamed up with the Brooklyn Rider string quartet to create a collection of music that makes its case for life, love, and liberation through its sheer beauty.

Classical CD Reviews: Riccardo Muti’s Italian Masterpieces, Thierry Fischer conducts Saint-Saëns, and Tasmin Little Plays…

January 30, 2019
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Richard Muti draws playing of full-blooded passion from Chicago Symphony Orchestra, Thierry Fischer conducts Camille Saint-Saëns with a sure hand, and violinist Tasmin Little’s new recording of neglected violin-and-piano pieces by mid- and late-Romantic women composers is terrific.

Jazz CD Review: Eric Dolphy — Still a “Musical Prophet”

January 29, 2019
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Eric Dolphy fully deserves the renewed attention that this important release demands.

Jazz CD Preview and Survey: Years of Utter Beauty, Part 2

January 27, 2019
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Part one of this survey looked at one upcoming performance and five CDs where music takes the leading role. This post looks at the other side of the coin, where the words are the wellspring for the music.

Jazz CD Preview and Survey: Years of Utter Beauty, Part 1

January 20, 2019
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2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.

Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”

January 20, 2019
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A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).

Rock Preview: Lettuce — Stirring up a “Witches Stew” at the House of Blues

January 7, 2019
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“I want our music to be genre-less. Actually I want it to be genre-more.”

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