Music
The powerful quartets on The People I Love and Terra Incognita work toward locating places beyond notation where, in each moment, new vistas may emerge.
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The last half-hour or so of any Mavericks concert is usually just about the happiest place to be on the planet.
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Nothing in this session reminds us of the age of the principals. That in itself, if not miraculous, is at least impressive.
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I’m able to pull the stick out of my ass long enough to enjoy a tribute performance when it is worthy, and the Australian Pink Floyd Show is more than that.
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Two recordings serve up the music of Mozart in unusual packages.
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Dire Straits and its string of hits made Mark Knopfler a well-known figure, but going solo gave him freedom to present a wider range songs.
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With a powerful partnership, the possibilities for Hot Tuna, it seems, are endless.
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Nancy Dalberg’s string quartets are worth getting to know, Wynton Marsalis’s violin concerto receives an electrifying performance, and Osmo Vänskä and the Minnesota Orchestra continue to churn out a less than necessary Mahler cycle.
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Herbert Blomstedt conducts a powerful version of Mahler’s valedictory essay, organist Christopher Jacobson provides a so-so “Organ” Symphony, and Kirill Petrenko’s initial recording as the chief conductor of the Berlin Philharmonic is lovely.
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Arts Commentary: 2019-20 Classical Music Preview
I’ve compiled a list of twelve concerts (or concert series) that I think will stand among the future season’s highlights.
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