Music
Arca’s first solo foray into pop music is as infectious as it is strange.
Pianist Thomas Adès proves himself a sympathetic champion of Czech composer Leoš Janáček; it’s not often that a Schumann-Mendelssohn album focuses on the music of Clara and Fanny (rather than Robert and Felix); Jenny Lin’s performances of piano pieces by Philip Glass don’t lack for style or technical command.
It took more than a century, but Amy Beach’s Piano Quintet has finally got the recording it deserves; it would be hard to beat the all-star line-up featured in The Cave of Wondrous Voice; and ready for some flawless Shostakovich?
That this assemblage works so well is a tribute to the big ears and hearts — and collective intelligence — of all the players here.
A superior new Lamb of God disc was not entirely unexpected; an excellent new Cro-Mags record, well, I didn’t see that coming.
Peggy Lee’s career took her far from the bifurcated sexual image expected of a canary — 40% coy seductiveness and 60% “I just want to settle down but will entertain you until the right guy comes along.”
Phoebe Bridgers has crafted a disc filled with pristine, meditative songs that carry a brutal emotional weight.
Thanks to Octave and Mack Avenue Records, a significant section of pianist Erroll Garner’s storied career is back, sounding better than ever before.
Adventurous jazz is not always as much fun to listen to as it is on Hero Trio, a stellar meeting of compositions, arrangements, and astute performances propelled by real passion.
Performing Arts Series: Stories of Surviving COVID-19 — New England Conservatory
What lies beyond COVID-19 for the arts community?
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