Music

Indie Folk/Rock EP Review: Kate Bollinger — Music for Our Melancholy Moment

August 24, 2020
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Partially completed before the pandemic hit and assembled during quarantine, the EP feels uniquely suited to ease our collective glumness.

Book Review: “What Makes the Monkey Dance” — The Mystery of Chuck Prophet

August 23, 2020
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What Makes the Monkey Dance is a comprehensive examination of the life and career of an extraordinary artist that is smart enough to stop short of hagiography.

Music Commentary: The Catechism of Jazz Critical Cliches

August 23, 2020
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A cautionary list of cliches, accumulated during a lifetime’s observation, for the next generation of jazz critics — and readers of same.

Jazz Album Review: “Dinner Party” — Room for Joy in a Messed-Up World

August 16, 2020
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Marked by a blended mastery of multiple genres — from jazz and R&B to hip-hop — Dinner Party is a perfect album for a time of pandemic, police brutality, and an uncertain future.

Jazz Concert and Album Review: Guitarist Bill Frisell — Mingling the Sublime and the Stimulating

August 14, 2020
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Leave it to guitarist Bill Frisell — he always knows where the musical goodies are to be found.

Classical CD Review: The Symphonies of Max Bruch — Getting the Attention They Deserve

August 12, 2020
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This is a conductor and ensemble that have the measure of Max Bruch’s style and voice well in hand.

Pop Review: Glass Animals Lose Their Voice

August 12, 2020
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The Oxford band’s third album dispenses with personality in favor of bland trap pop.

Film Review: “Jazz on a Summer’s Day” — A Contrarian View

August 12, 2020
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This is not a music documentary, it’s a kind of jaunty-artsy immersion in and around the Newport Jazz festival, including scenes of the host city Newport, the America’s Cup race, festival goers, kids in playgrounds, etc.

Classical CD Reviews: A Roundup of Beethoven Symphonies

August 11, 2020
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Evaluations of a smorgasbord of Beethoven symphony recordings.

Jazz Commentary: Russell’s “Hustle,” The Duke of Ellington, and Me

August 9, 2020
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What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?

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