Music

Jazz Album Review: Pianist Billy Lester — One Very Hip Nerd

February 23, 2022
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Pianist Billy Lester is an amusingly dry fellow who is also a deeply serious, idiosyncratic musician.

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Rock Concert Review: 2022’s Fear Inoculum Tour — Peak Tool

February 22, 2022
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Wading in the deep end of the Tool pool.

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Jazz Album Review: Corina Bartra’s “Amber Light” — Unlistenable? Or Genius?

February 22, 2022
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Others may hear a painfully flawed Latin jazz album, but what I heard was a brilliant postmodern ironic jam session in the mode of Ornette Coleman. I’m probably wrong, but I don’t care, because this album is a blast.

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Jazz Album Review: Oscar Peterson Quartet — “A Time for Love”

February 21, 2022
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Oscar Peterson always seemed at his best live, which is how we find the pianist in this beautifully recorded, newly issued set.

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Jazz Appreciation: Lee Morgan — On the 50th Anniversary of His Death

February 19, 2022
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Prodigy, post-Parker junkie, dead by homicide at a young age (1938-1972). Whatever. The myth shouldn’t crowd out the player. Musically, trumpeter Lee Morgan was a muthahfucka..

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Jazz Album Review: Avishai Cohen’s “Naked Truth” — Meditating on the Last Things

February 18, 2022
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To this listener, the quartet generates a drama of gradual enlightenment, as if extroversion signified some sort of illumination.

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Jazz Album Review: Ran Blake’s “Looking Glass” — Music from an Idiosyncratic Guru

February 17, 2022
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This album offers a Baedeker of pianist Ran Blake’s cinematic effects, the mis-en-scene for a narrative musical imagination unlike any other.

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Rock Album Review: David Bowie’s “Toy” — Perusing His Back Pages

February 15, 2022
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David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.

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Classical Album Review: Igor Levit’s “On DSCH” — Exhausting But Astonishing

February 14, 2022
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A major release by a pianist who, just in his mid-thirties, is already one of the most intelligent and satisfying musicians on the circuit.

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Opera Review: “Iris,” A Powerful Vision of an Imaginary Japan — Six Years Before “Madama Butterfly”

February 14, 2022
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The composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.

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