Music
These two superb new releases were both recorded at a former fire station in Connecticut.
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The album features seven tracks played by five different groups fronted or co-led by guitarist John McLaughlin.
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The record companies are bringing us unsuspected marvels from past and present that we might otherwise never hear, from astonishing Handel-era works and brand-new American pieces to elegantly performed guitar sonatas from 19th Century Vienna.
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Some substantial works by composer Felix Mendelssohn remain overlooked.
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“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”
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Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.
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I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.
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For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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A new recording of Ferdinando Paër’s Leonora gives us characters we love (or love to hate) in a fresh light
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