Jazz

Jazz CD Review: The OGJB Quartet — Skipping About Through Time

May 18, 2019
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It is enormous fun to hear how this group of veterans try to think in new ways — as they do throughout this engaging release.

Jazz CD Review: Fred Hersch with the WDR Big Band — A Composer’s Flair

May 16, 2019
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Vince Mendoza’s colorful arrangements give us a welcome new way to appreciate Fred Hersch’s impressive creativity — his amply satisfying accomplishments as a composer.

Jazz Review and Appreciation: The Music Never Stops – Betty Carter Live (Again)

May 7, 2019
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A landmark concert from 1992 is a chance to rediscover Betty Carter’s greatness, to appreciate again how this artist was special to the very essence of her soul.

Music Review: The de-Stones’d New Orleans Jazz and Heritage Festival 50th Anniversary

May 3, 2019
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“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”

Jazz CD Review: The Art Ensemble of Chicago — Still Out on the Edge

April 25, 2019
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Amid the continual flood of new jazz releases, this anniversary bash is one to be savored.

Jazz CD Review/Commentary: Holly Cole — Sticking to the Standards

April 18, 2019
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I did want to use this CD as a springboard to engage with the question of how using material of a certain age tends to pre-select — and limit — listenership.

Jazz Commentary: Pee Wee Russell — A Singular Voice

April 7, 2019
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Despite the fact that clarinet (and occasional sax) player Pee Wee Russell was one of the most distinctive voices in jazz history, his name remains unknown outside of infra jazz circles.

Jazz Album Review: Miles Davis — An Excellent Homage to the Master

March 29, 2019
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This album does an excellent job of recapturing some of the glory of the original Miles Davis recordings.

Jazz Commentary: Jazz and the Single Trumpet Player

March 25, 2019
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Far more people would recognize Chet Baker’s name than Jack Sheldon’s — and that is unfortunate.

Book Review: “Creating the Jazz Solo” — An Iconoclastic View

March 22, 2019
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Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.

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