Jazz
To hear Nat King Cole move from an anonymous member of a backing chorus to a world-class vocal soloist is well worth the time this boxed set demands.
The Bad Plus are telling stories, but the trio doesn’t seem to want to follow wherever they might lead, which narrows their music’s emotional range.
One of the strengths of Laszlo Gardony’s playing is his confident insistence on what he is doing, his impressive self-assurance.
jaimie branch knows music has to be wild and dangerous and beautiful to cut through all the distractions of our times.
For many listeners, Zigsaw will serve as a welcome introduction, not only to a virtuoso jazz ensemble led by an innovative leader, but to the music of composer Steve Lampert.
Saxophonist Stan Getz knew whom to listen to and whom to borrow from, and the repertoire for the 1961 Village Gate gig was particularly satisfying.
Emily Remler took a particularly clear-eyed view of her work. She didn’t want to be judged by a lesser standard because she was a woman in the overwhelmingly male world of jazz.
Heard as a Miles Davis record pure and simple, Rubberband is one of the strongest from the comeback period.
Octave is issuing twelve sessions (“newly restored and expanded”) of Erroll Garner material from the ’60s and ’70s, when the popular pianist was at the height of his career.
For me, about half of the compositions here successfully reflect the artistic visions of the painters that inspired the music.

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