Folk
This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.
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All three are singer/songwriters whose individual gifts mesh seamlessly with soaring harmonies and a like-minded empathetic view of the world.
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What makes these two albums stand apart? They are content to showcase the elemental power of Tennessee Ernie Ford’s voice.
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Once again, Billy Strings pulled an exhilarating assemblage of musical influences under a big tent.
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The book’s main contention is clearly correct: Dylan’s lyrics aren’t everything, and his vocal delivery is eminently important. But, according to Larry Starr, every period is a golden one, and the most minor effort deserves major respect.
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The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
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This is an amazing follow-up to Billy Strings’s Grammy-winning Home album.
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Folk On both exceeded and tempered expectations.
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