Folk
His songs have been recorded by the likes of Bonnie Raitt and Diana Krall. For many, his rank — just short of superstardom — remains a mystery. He’s just too good to be less than a household name.
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Dueto Dos Rosas’s tunes can be classified as rancheras or corridos, but their style has a very particular historical resonance.
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When the 80-year-old Judy Collins, who sang at Newport in the 1960s, declares the current weekend to be “historic,” you had to believe her.
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“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”
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When Vermont’s Mountain Man brings us its Appalachian vocal stylings the trio is venturing into the hollers of both the Green and the Blue Ridge Mountains.
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Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
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Les Poules à Colin specializes in mix-and-match: their music channels old medieval ballads and sugar shack Quebecois dance tunes.
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Besides passing along the tradition of mariachi to their students, the members of Mariachi Mexico Antiguo perform as an ensemble at local events, including this weekend’s Lowell Folk Festival.
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John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
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There’s not much about the blues that Paul Rishell, 68, and Annie Raines, 48, don’t know or can’t play.
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