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The improved viewing experience of the 1931 version of The Front Page enhances the stature of director Lewis Milestone as an early-talkie innovator and shows off the crack ensemble cast.
The pieces in this exhibition are apt examples of just how smart and complex purely ‘decorative’ objects can be.
In this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.
Complex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.
Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.
Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.
Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.
The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists
Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”
Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.
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