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Master of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.
As with so many Frederick Wiseman films, we get color, character, sociology – and cinema.
Avoiding overly melodramatic images, The 33 is a true horror story on screen, one that we can identify with in the deep, fearful recesses of our collective subconscious.
A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Each of the ten or so music-less sections showed us a different way of composing movement.
Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Brooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
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