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This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
One takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.
An album of Brahms lieder from two musicians in their prime: Christoph Eschenbach and Matthias Goerne.
Boston’s Debo Band expand their heterophonnic horizons on Ere Gobez.
This Grand Harmonie program is a survey of both the mainstream and wildly experimental uses of early brass instruments.
It says something about where we are at as a country when the absurdist’s voice is the only one that is persuasively human.
Overall, with Transitions Michael Nicolas proves himself a major cellist of his generation.
I wanted to like Sunset Song, steeped as it is in Scottish history and scenery.
The film and the book are all in good fun, in the spirit of “mocking affection” that is a part of Whit Stillman’s artistic vision
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