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Musician Interview: Mike Patton & The Avett Brothers Take Their Radical Collaboration on the Road

June 5, 2026
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On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.

Design and Visual Arts: Affordable Housing, By Design

June 5, 2026
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Revisiting the Eameses’ modular dream at a moment when policy, economics, and architecture are under pressure to deliver.

Weekly Feature: Poetry at The Arts Fuse

June 4, 2026
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The week’s poem: Simeon Berry’s “I was so insanely good at drinking”

Book Review: “American Rambler” — The Myth of the Open Road

June 4, 2026
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Essayist and memoirist Isaac Fitzgerald follows Johnny Appleseed into a landscape shaped as much by omission and privilege as by history.

Film Review: “The Last One for the Road” — Booze Crews

June 4, 2026
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This soused picaresque is heading for a DUI.

Book Feature: “Charity & Sylvia” —  A Life Together, in Defiance

June 3, 2026
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Tillie Walden’s “Charity & Sylvia” transforms archival fragments into a resonant portrait of devotion in early 19th-century Vermont.

Film Review: “Masters of the Universe” — IP Management with a Sense of Humor

June 3, 2026
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Director Travis Knight’s self-aware reboot turns Reagan-era toy marketing into a surprisingly sharp, character-driven comedy about power, nostalgia, and growing up.

Classical Album Review: Sea Songs in Full Sail

June 2, 2026
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Arpeggione Ensemble turns music by Schubert, Mendelssohn, and Mahler into a resonant chamber seascape.

Theater Review: Quick Changes, Big Laughs in “The Mystery of Irma Vep”

June 2, 2026
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Gabriel Graetz and Paul Melendy power Charles Ludlam’s camp classic, even as a stripped-down design leaves some comic potential untapped.

Jazz Concert Review: The Write Stuff – Kurt Rosenwinkel Quintet at the Regattabar

June 2, 2026
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This was not genre-pushing experimentation. Kurt Rosenwinkel’s tunes stayed well within recognizable patterns of chords and rhythms, but the inventive craft alerted the ear at every turn.

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