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Jazz Album Reviews: Two Duets — One Language of Trust

July 22, 2026
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Separated by 35 years, new releases from Blake–Eade and Goodrick–Hersch illuminate jazz at its most intimate—where interpretation, history, and shared sensibility converge.

Concert Reviews: Chamber Ensembles at Rockport Trace Music’s Shadow and Light

July 21, 2026
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A pair of concerts at the Shalin Liu Performance Center paired elegy, bite, and virtuosity in vividly different ensemble settings.

Visual Arts Review: Paul Klee’s Lines of Resistance at the Jewish Museum

July 21, 2026
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A rare, must-see gathering of Paul Klee’s satirical and prophetic drawings reveals how his angels, dictators, and “degenerate” visions saw Nazi Germany all too clearly.

Book Review: A Soundtrack for a Warming World?

July 20, 2026
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“Recomposed” finds music poised between imaginative possibility and the entrenched economics driving environmental harm.

Rock Concert Review: The Guess Who — A Worthy Trip Down Memory Lane, with Caveats

July 20, 2026
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The Guess Who and Don Felder bring skill and spirit to Boston, though nostalgia comes packaged with more than a few modern annoyances.

Coming Attractions: July 19 Through August 3 — What Will Light Your Fire

July 19, 2026
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

Arts Commentary: When Books Become Evidence — Hong Kong’s Raids and the New Global War on Dissent

July 19, 2026
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Every bookshelf becomes a latent crime scene: China’s all-too-familiar totalitarian playbook to encourage self-censorship.

Book Review: Chronicling a Life of Devotion and Disquiet

July 19, 2026
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Michael Klein’s new collection weaves brushes with artistic giants into candid meditations on addiction, desire, and survival.

Arts Commentary: Notes on Bob Dylan

July 18, 2026
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A skeptical listener finds phrasing, groove, and quiet authority in an 85-minute Boston set.

Concert Review: At 85, Bob Dylan Still Defies Expectation

July 18, 2026
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A reconfigured band and evolving arrangements made Bob Dylan’s Boston set vital, strange, and rooted in “Rough and Rowdy Ways.”

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